My video installation, The time to home, the way to home, is part of a group show at the museum of the Guangzhou Fine Arts Academy from March until May 2025. This three channel installation features video and audio recordings from my fieldwork in Guizhou over the past ten years (or so). Below is an installation video -- I'm hoping to make it to Guangzhou in May to see it for myself!

The time to home, the way to home (installation video)
Exhibition webpage "Our Gaze"
Exhibition details (in Chinese)

Image credit: BIG, Penang South Islands rendering

I'm part of two panels at the 2025 Association for Asian Studies annual meeting in Columbus next week. The first is one I've co-organized on ecocity projects from SE Asia to the Middle East, with a focus on multimodal/creative scholarship as methodology. The second is a panel on travel and intersectional identity; details and abstracts below!
Eco-City Visions: Thursday 3/13/2025, 7-8:30 pm
Tracing Boundaries: Friday 3/14/2025, 9-10:30 am

As the German Sommersemester gets underway, I'm excited to be a part of the upcoming speaker series for Stadtlabor for Multimodal Anthropology, a research initiative based at Humboldt Universität zu Berlin. I'll be speaking about ethnographic portraiture, drawing from my slowly-but-surely-almost-there film, These Days, These Homes.
Details:
"An N of 1: Multimodal Experiments in Ethnographic Portraiture"
10 June 2024, 1600-1800
IfEE (Anton-Wilhelm-Amo Strasse 40/41, 10117 Berlin)

On December 6, 2023, I'll be taking part in an online discussion about research in Southwest China. The event is organized by the University of Westminster (UK) in their series, China Deconstructed. For a link to register (and to get the ZOOM link) as well as a panel description and speaker biographies, see this post on the MCLC Blog.

During the 2023 AAA/CASCA meetings in Toronto, I'm excited to be a part of two panels:
1. As a discussant for the panel Rural Modernities, Rural Moralities: The Gendered Politics of Social Transitions, on Wednesday 15 November 2023 from 4:30-6:15 p.m., and
2. As a co-author for a paper titled "Translating Sustainability into Somatic Experience: Renderings of Eco-Cities in Southeast Asia" in the panel The Translation Machine, on Saturday 18 November 2023 from 2-3:45 p.m.

Here's a visual teaser for the paper on eco-cities...

To celebrate spring, renewal, and five years of the fabulous Center for Experimental Ethnography at Penn (where I was a fellow in 2021)...I'm so excited to be part of this CARNIVAL on May 1, 2023.

Register online for over 12 hours of events, music, performance, and art! I'll be part of a discussion on future cities and future countrysides, based upon ideas and musings from my current film project.

It's starting to feel like 2018 again with upcoming travel and talks in Boston and then Ithaca!

Next week, on Friday March 17, I'll be at the Association for Asian Studies conference in Boston and giving a talk on natural environments and racialized bodies in Dhunkar Kyab's short documentary, Tourists. This paper is part of a panel on the spatialization of race and ethnicity in China, and I'm excited to be a part of this conversation. 
More details here

On Friday April 14, I'm discussing work-in-progress as part of the Anthropology colloquium series at Cornell University. I will discuss my current film, These Days, These Homes, which explores gender, domesticity, and development in rural minority China through what I am calling an ethnographic portrait film of two Miao women.

To watch a preview of the film, go here.

I am so thrilled to be invited to screen my 2013 film, Peasant Family Happiness, at the Ethnographic Museum of the University of Zürich in July as a part of the exhibition, "Hidden Complexities: Unfolding Miao Women's Textiles." I will be present after the screening for an in-person Q&A, and I really look forward to the chance to talk about the film with audience members! Please see below for details and a link to maps and the museum website.

Thursday 7 July 2022, 19:00-20:30 CET
Screening of Peasant Family Happiness (2013)
In-person Q&A to follow
Event link and map

Location:
Ethnographic Museum, University of Zürich
Völkerkundemuseum, Pelikanstrasse 40, 8001 Zürich
Raum: Hörsaal, PEA

The Contest over "Indigeneity": Film and Ethnography in China, Hong Kong, and Taiwan
An online film and conversation series curated by Jenny Chio

Event website: www.filmandethnography.org

Register via the website to receive the password to view films between Friday, April 23 and Friday, April 30, 2021. You will also receive the Zoom link to join the live discussion on Thursday, April 29, 2021 at 7 pm EST. The film in the Hong Kong program requires separate registration; please visit the event website for details.

This online event, featuring eleven films, three pre-recorded conversations between filmmakers and scholars, and a live Zoom discussion, examines Indigeneity in the People’s Republic of China, Hong Kong, and Taiwan. In each political space, “Indigenous” has come to represent and symbolize the different stakes of identity, culture, and heritage in the modern world, while grappling with ongoing political tensions around national sovereignty, China’s global influence, and social solidarity. The films and speakers all approach Indigeneity from their own personal backgrounds and experiences as citizens, artists, and scholars from and working in China, Hong Kong, and/or Taiwan. Pre-recorded conversations between the filmmakers, curator Jenny Chio, and invited scholars can be viewed on the event website (no password required), along with an essay by Prof. Chris Berry (Film Studies, King's College London).

My newly published essay, "Theorizing in/of Ethnographic Film," is available as a free download from Routledge!

The chapter is part of the wide-ranging Handbook of Ethnographic Film and Video, which examines the current state of ethnographic media-making from theoretical and practical perspectives. My chapter is motivated by a series of overly ambitious questions regarding the state of ethnographic film in contemporary anthropology and cognate disciplines. Namely, what are the methodological, epistemological, and conceptual relationships between ethnographic filmmaking and ethnographic theorymaking today? How can ethnographic film help produce, or at least help inform, better ethnography, and vice versa? And, perhaps most importantly, how can ethnographers, filmmakers, and ethnographic filmmakers go about actually doing better at whatever it is that they seek to do (producing social scientific knowledge, film, or some combination thereof )?