I was invited to write an afterword for this forthcoming special issue of the International Journal of Tourism Anthropology on film and the representation of "exotic others." The issue features a wide range of case studies of (mostly) documentary filmmaking projects across the Asia-Pacific region, and the authors analyze the multiple intersections between documentary film, tourism development, and the imagination of the other. Moreover, the essays in the issue question deeply how the representation of "otherness" is produced and practiced in touristic contexts.
In my afterword, I situate these case studies within broader anthropological debates on tourism imaginaries and visual anthropology. As my own work as an ethnographic filmmaker and anthropologist tries to show, the fundamental methodology of participation observation can and should be critiqued and challenged by concepts and practices of filmmaking and visual representation. Thus, I titled my afterword "filmmaking as critical participation observation" in order to illustrate what ethnographers (particularly those working in touristic contexts) can gain from taking film seriously in the practice and production of cultural representations.
Click on the image for a list of articles and abstracts from the issue!
In my afterword, I situate these case studies within broader anthropological debates on tourism imaginaries and visual anthropology. As my own work as an ethnographic filmmaker and anthropologist tries to show, the fundamental methodology of participation observation can and should be critiqued and challenged by concepts and practices of filmmaking and visual representation. Thus, I titled my afterword "filmmaking as critical participation observation" in order to illustrate what ethnographers (particularly those working in touristic contexts) can gain from taking film seriously in the practice and production of cultural representations.
Click on the image for a list of articles and abstracts from the issue!
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